D3LTA
D3LTA is an Anglo-Greek singer-songwriter whose 2022 track, ‘Strange’, became a runaway hit across his Mediterranean homeland.
Singing and writing in English made his subsequent decision to move to the UK a straightforward one, although D3LTA is as passionate about his Greek heritage as he is with his approach to songwriting. The balladeer sports an “eros” (love) chest tattoo, something that underlines his fervent belief that music must come from one’s heart. Not in a cheesy, Hallmark-greeting-card sense but in the truest, most intimate way: D3LTA is a singer-songwriter for whom sincerity and soul are both non-negotiable.
We spoke to D3LTA about his latest releases (‘Lonely Together‘ and ‘Blabbermouth‘), the evolution of his creative process, and his forthcoming debut album.
FAULT: Congratulations on the release of ‘Blabbermouth’! It’s very different to your previous single, ‘Lonely Together’ – both sonically and in terms of mood. In the past, you’ve mentioned adopting different personas for the purpose of writing different songs: was that what happened with these two tracks?
D3LTA: Thank you so much! I really love both of these tracks. You’re right: they do sit at different ends of the emotional and sonic spectrum, but in a way, they still feel connected to me. They were both recorded with the same band and the same producer, so even though the mood shifts, there’s a shared DNA in how they were made. I’m naturally drawn to different styles of music, and depending on the mood I’m in, I’ll often write something that leans into a different genre or energy. I always follow my instincts and try to make each song the best version of itself, rather than trying to make everything fit into one sound. They’re just different shades of the same story.
‘Lonely Together’ was released in March; it was your first single of 2025. It’s safe to say it was well-received by critics and the general public without being the smash hit that ‘Strange’ was. Were you pleased with the response overall?
Yes, I’ve been really happy with the response to ‘Lonely Together’. Even though we’ve just released the follow-up, ‘Blabbermouth’, it still feels like early days for ‘Lonely Together’. Songs often take time to grow, and I can already see that it’s resonating with people which, honestly, is what matters most to me.
Of course, ‘Strange’ had a very unique trajectory. A radio producer at a major station in Greece fell in love with it, started playing it every day, and it just snowballed from there – other stations picked it up, and suddenly it was everywhere. What still blows my mind is that it’s still getting airplay in Greece and has racked up over 40,000 Shazams. That kind of response is rare, especially for English songs within Greece, and I’m incredibly grateful for it.
As you’ve said, ‘Strange’ was a huge hit in Greece despite its English lyrics. You’ve spoken previously about how your Greek fans often research you in advance, learn the lyrics to your songs first, and then go to a show whereas, obviously, in England, there’s no language barrier to overcome. Now that your attention is mainly on UK audiences, do you feel like you’ve lost something in terms of having that special relationship with your Grecophone fans?
Yes, it’s something I’ve definitely noticed especially when I was touring around Europe with JC Stewart. In countries where English isn’t the first language, audiences often don’t catch the full meaning of a song on the first listen. What’s interesting, though, is that in Greece, fans actually research the songs beforehand, learn the lyrics, dig into the meanings, and show up to shows already emotionally connected to the music.
Now that I’m based in the UK, my songwriting naturally includes more local expressions or slang things that might not instantly translate. So, in that sense, there’s a slight shift in how the songs land with my Greek audience. But we still tour Greece regularly, and they’ve really embraced the newer material. That connection is still strong: it’s just evolved.
We don’t often talk up other people’s interviews during our own, but you did a really thorough and engaging one with SounDarts.gr back in 2023. What’s one big thing that’s changed for you since then?
I remember that interview well – it was one of my first after moving to the UK, just after supporting Scouting for Girls. One major thing that’s changed since then is how I approach releasing music. Back then, I felt this pressure to keep momentum going, which sometimes meant rushing the process. Since then, I’ve learned to slow down and really invest time in writing and recording music I’m proud of. That shift has made a huge difference not just in the quality of the songs, but also in how connected I feel to them.
Settling into London and touring Europe with JC Stewart were amazing milestones too, but learning to trust the creative process has probably been the biggest personal growth for me.
You mentioned that you were planning on releasing your debut album in 2024: what happened to that? And what’s the plan for it now?
Yes, I was originally planning to release my debut album in 2024, but I had a bit of a reality check. I sent the first batch of songs to the producer I’m working with – who’s still part of the project – and he was honest with me: they weren’t my best work yet. That was hard to hear at the time but, in retrospect, it was exactly what I needed. It pushed me to go deeper and keep writing and push myself a bit more creatively.
Now, I’m really happy to say that the album is written, recorded, and we’re in the mixing stage – so we’re almost there. It’s coming out later this year, and I couldn’t be more excited. I genuinely feel like I’ve made something that reflects who I am as an artist.
Which do you prefer: writing songs or performing them live?
That’s a tough question because I truly love both for different reasons. Writing songs is where everything begins; it’s where I get to experiment, dive into emotions, and shape ideas from nothing. There’s something magical about that creative process where you look back and a piece of music did not exist that same morning. But if I had to choose, I’d say performing live just about edges it.
There’s nothing quite like the energy of a live show – the adrenaline, the unpredictability, and most importantly, the connection with people in the room. Seeing someone sing your lyrics back to you or watching a song resonate in real time is something the studio can’t replicate. That shared moment with an audience is what I live for.
While you were supporting Scouting for Girls for their UK tour, you sampled Greek food in every place you visited. Which was the best? And, more importantly, which was the worst?!
Haha, they were all equally bad if I’m being honest! Apart for one, which was a souvlaki place in Manchester whose name I don’t remember, unfortunately.
You have an “eros” (love) tattoo on your chest. What’s the significance of that?
When I first moved to London, I found myself wanting to reconnect with my Greek heritage in a deeper way. I started reading a book called Timeless Tales of Gods and Heroes [Edith Hamilton, 1942], which dives into the origins of the ancient Greek gods. One story that really stuck with me was about Eros—the god of love—being the son of Ares, the god of war, and Aphrodite, the goddess of beauty. That combination struck me: love as something born from both conflict and beauty.
It made me realize how mythology was an early attempt to map out the complexity of our emotional world. That idea stayed with me. I got the word “eros” tattooed on my chest because I’m trying to approach everything I do from music to relationships from a place of love and understanding. Having it right over my heart just felt right.
What can we expect from D3LTA in the near future? Anything you’re particularly looking forward to?
This year is a big one: my debut album is finally coming out, and we’ll be releasing new music every 6 to 8 weeks leading up to it, so there’s a lot on the way. We’ve also got some shows coming up, including dates in London and Manchester, which I’m really looking forward to.
I’m especially excited about my next single: it’s actually my favourite song I’ve written so far. It came right at the end of the album process, just when I thought everything was finished, and it completely surprised me. I’m so glad it found its way onto the record.
What is your FAULT?
My FAULT is thinking I can fix a song by adding “just one more synth.” Next thing I know it sounds like Blade Runner meets ABBA, and I’m in too deep…!
