Telly is different during the summer. You need something frothy and fun to distract from the fact you should be cutting the grass.
feels like it should fit the bill.
Keeley Hawes plays Julie, a hit-woman who has retired to a Greek island.
The opening sequence, a flashback to a hit in Bulgaria, is full of brutish villains and cartoon violence, a parody of Jason Bourne films, which were parodies of themselves, so this should be fun.
The result is a story-line with holes big enough for a fleet of trucks, fleshed out with pancake-flat dialogue.
Julie is given one final job, to kill a woman called Kayla on a yacht. She decides not to at the last minute, for no reason, but it’s just as well because the next day her dweeb of a son, Edward, arrives and announces that Kayla is his fiancée.
There is an inevitable Greek wedding attended by everyone in the village, where less predictably, most of them are shot.
Julie and Edward flee to Kayla’s yacht, and they all go to Albania for reasons which aren’t clear.
Kayla, a rich heiress, doesn’t seem to mind that her future mother-in-law kills people for money, maybe because she didn’t kill her.
Meanwhile there is a Dutch IT nerd in a Libyan prison (keep up!) who is trying to blackmail an angry Australian businessman who lives in huge house in France.
The new genre they’ve invented is a kind of immersive hate-watch, where you stay glued to the action because you don’t want to miss a giant plot-hole.
My wife and I have really enjoyed pointing out why something doesn’t make sense.
The show looks great, with sweeping views of Greek islands and Albanian coast-line. And here is the odd funny scene, probably by accident.
But mainly I’ve stayed watching because they’ve put just enough intrigue into the plot to keep me hanging on.
What does the angry Australian businessman keep in his safe? Is Julie’s estranged husband behind all of this? What could Kayla possibly see in dweeby Edward?
If you’re stuck for something to watch, give The Assassin a go. It beats cutting the grass.
